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Produced by Paper Route Productions and Go Go Luckey Entertainment, the program is narrated by Mike Rowe.

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But “Ghost Lab” has flashes of style and wit that suggest we’ll be hearing more from this filmmaker, and that it could be fun.Ghost Lab is a weekly American paranormal television series that premiered on October 6, 2009, on the Discovery Channel. Sure, it’s a mixed-bag, sentimental and soft even as the story contrives to put the friends at odds, with deadly consequences. As I said, we spend the lumbering first act and part of the second hearing “I think I was born to prove to the world that ghosts exist,” and the like.īut after that patience-testing/bar-lowering first half, I was quite impressed by the second. The dialogue is largely corny, and the “Ghost” moments, meant to tug at the heartstrings, are few. The pathos comes from death and loss as these callous “cutters” face the limits of their callousness, and make ridiculous leaps to “prove” their point.Īnd the laughs burst out of the blasts of profanity at each gobsmacked “Eureka” moment of discovery. The hair-raising moments come in underlit scenes of empty with objects moving under their own power.

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How to get ghosts to manifest themselves in ways that allow others to see, audiences to be convinced and science to accept a research paper? Their “solutions” to that quandary take up the latter half of the film. The ghost-hunting duo figure they’re onto something, especially when they stumble into a “dance of the wheelchairs” in one gloomy corner of the basement. There’s CCTV video from all around the hospital showing filing cabinets opening, chairs sliding across the floor and wheelchairs navigating empty hallways. Wouldn’t you know it, right after swapping jokes with nurses about a corpse that came in, burnt to a crisp, Wee and Gla see the victim (digital, creaky stop-motion) manifest itself in the dark of the break room.

Are ghosts “photons” or “energy?”īut as they question how ghosts manifest themselves, why they would and to whom, they figure they can “group” ghosts and perhaps make some progress. He’s interviewed scores of people with ghost sighting stories.Īlthough he hasn’t seen one since the night he saw his father, Gla is sure they can “prove ghosts are real.” Wee, facing his mother’s impending death, signs on and the two of them - young men of science - start working the problem.įirst question, “How can ghosts be real?” Physics isn’t much help.

He’s traveled to Asia’s great haunts, even that cursed “Suicide Forest” in Japan. He’s been “researching” ghosts ever since childhood, when he was sure he saw his dad shortly after his father’s death. Gla ( Paris Intarakomalyas) is the handsome practical joker, always pranking Wee with fake “ghost” frights.”īut Gla has a secret. Wee (( Thanapob Leeratanakajorn) is the sad, nerdy and serious one, doting over his dying, hospitalized mother. Wee and Gla have been close friends since med school. Hair raising moments, touches of pathos, gonzo violence, decent effects and the occasional laugh.ĭirector and co-writer Paween Purijitpanya flirts with “Flatliners” and “Ghost” in this Around the World with Netflix tale of two surgical residents at a Thai hospital who resolve to prove “that ghosts are real.” But man, once it’s on its feet, saddle up for a fun ride. It takes a while, a good overlong while, for the Thai thriller “Ghost Lab” to get going.

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